Jakub Tabor

In Ichikosucho

for English horn, French horn, bassoon, and chimes

Performance notes

All events occur at the indicated times. Perform in a highly reverberated area. Each sound should emerge and disappear naturally. Use no vibrato unless naturally produced by the instrument. Slight natural pitch instability is encouraged. The written pitches represent centers but not absolute frequencies. Composition ends after achieving the final silence.

English horn

Deviation range for each pitch should be around ±8 cents.

Time Pitch Duration Dynamic
0:50-2:00 E5 20-30 sec pp
3:30-5:00 G#5 20-30 sec pp
5:00-6:30 C#6 18-25 sec p
8:50-10:30 G#5 25-30 sec pp
10:40-12:00 E5 10-30 sec pp
13:00-14:00 C#6 20 sec p
15:00-16:30 F#5 25 sec pp
18:50-20:00 D#6 5-18 sec ppp
20:40-22:00 G#5 20-30 sec p
22:40-24:00 E5 20 sec pp
25:50-27:00 G#5 25 sec pp
28:50-29:30 E5 30 sec pp

French horn

Deviation range for each pitch should be around ±12 cents.

Time Pitch Duration Dynamic
1:10-2:00 B2 25-35 sec pp
4:00-5:00 E3 25-30 sec pp
5:50-6:50 F#3 25 sec pp
8:30-10:30 E3 30 sec pp
11:00-12:30 G#3 28 sec mp
14:30-16:30 B2 20-25 sec pp
16:30-18:30 C#4 30 sec pp
20:30-22:30 E3 25 sec pp
24:10-25:30 B2 25 sec pp
26:00-27:00 C#4 10-20 sec pp
28:20-29:10 E3 30 sec pp

Bassoon

Deviation range for each pitch should be around ±10 cents.

Time Pitch Duration Dynamic
0:00 E2 18-25 sec ppp
2:00-3:30 D#3 15-20 sec pp
5:20-6:30 G#2 20-25 sec p
6:30-8:30 E2 20 sec pp
10:30-12:30 C#3 18 sec pp
14:00-15:00 D#3 11-22 sec mp
18:30-20:30 G#2 20 sec pp
22:30-24:00 C#3 18 sec p
25:30-27:30 E2 15-25 sec pp
29:10-29:40 E2 20 sec p

Chimes

Allow every note to fully decay into silence. Play each very softly yet audibly. Emphasize the last note.

Time Pitch
2:30-3:30 E6
9:30 D#7
12:30-14:30 E6
17:00-18:00 C#7
21:00 G#6
24:00-25:30 A#6
27:30-28:30 C#7
29:40 E6

31st July, 2026

#complete_compositions